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Duplessis, who is the bass player in Refugee Camp was also influential in the Fugee sound.

After toiling as a group that lacked much recognition, they emerged at the forefront of pop music without compromising their artistic integrity.

But The Score was to be the last official project released by The Fugees.

In fact, their classic sophomore album, which went six times platinum in the United States, was The Fugees greatest triumph and their swan song.

Both being preachers kids in Brooklyn, New York, Clef and Pras developed as musicians by playing in their familys churches, blending elements of gospel, reggae, and soul.

At Columbia High School located in Maplewood, New Jersey Pras met a freshman named Lauryn Hill, who was already a gifted singer and MC.

Pras introduced Lauryn to Clef and The Tranzlator Crew and the The Fugees (short for Refugees, a nod to their Caribbean roots) was born.

The group eventually caught the attention of Ronald Kahlis Bell, a co-founder of the legendary funk band Kool the Gang, who guided them in the early days.

The Fugees could have been relegated to the fringes of the hip-hop scene.

A blip on the radar ultra-talented but iconoclastic, they were almost lost in the shuffle.

But their fortunes changed dramatically when the trio from New Jersey linked up with Salaam Remi, a young producer who at a young age already racked up credits for Biz Markie, Shabba Ranks, and Black Sheep.

He laced them with a banger in the form of the Nappy Heads Remix.

The song would become the first Fugees record to hit the Billboard Hot 100, peaking at number 49.

It was Remis penchant for infusing melodic dancehall and reggae rhythms with break-beats and samples that created an organic, diasporic connectivity with The Fugees.

He thought if Remi could make hits with Jamaican artists that he could have the same level of success with Haitian rappers.

So I pieced together what I thought worked, we took it from there, and it became Nappy Heads - Remix.

According to Wyclef, The Fugees didnt just want to make an album, they wanted to launch a movement.

In a 2016 interview, he said, When we went in to do The Score it wasnt like to do music.

We were in the neighborhood and we wanted to create a movement.

Clef envisioned that The Score would have a cultural, era transcending impact that was on par with Pink Floyds The Wall.

Over a span of five months, a vibe was curated and they began to create magic with minimal equipment.

I dont think people pay attention; the idea that the fact that the entire CD was created in the hood, Wyclef told Vibe.

In a 2013 interview, Hill explained the group dynamics during the process.